“A collection of blue-chip artworks, 22 in all, plays a central role throughout, including another architectonic screen element, this one commissioned from Mark Hagen to back the reception desk. And in a nearby corridor is Casablanca #1, a monumental Richard Serra piece in oil stick, etching ink, and silica on paper, its straightforward appearance belying that it was masterfully crafted in intricate layers—much like this project itself.”